![]() One of those mediums, however, is clearly better suited to our purpose. There are two possible approaches to translating the stuff of music theory - two data-types to choose between: we could focus either on music’s letters and letter-spellings (of its common materials: intervals, scales, and chords), or we could focus instead on music’s numbers and number-formula. If you don’t know what half-steps or semitones are, please see “ Half-Steps Review” and then return here. ![]() The Cipher System uses the chromatic scale and its numbered half-steps or semitones as it’s primary tone-numbering referent. Parts that relate to the guitar fretboard - it’s innate pattern structure, and the method/device used to transfer the Cipher System’s chromatic number-formula to it: Group Two components – Fretboard components Parts that relate to the process or results of translating/converting music’s standard diatonic number-formula to the Cipher System’s equivalent chromatic number-formula: Group One components – New numbers and number-formula The Group Two components (Fretboard Components) are covered on their own respective pages. These three pages provide any needed background and explanations for the Cipher System’s Number Formula Translation Tables of intervals, scales, and chords. ![]() The Group One components are covered on 3 pages here broadly titled “ Chromatic Numbers pages 1, 2, and 3”. The components of the Cipher System can be divided into two main groups:
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |